Post Rave

photography Fanny Latour-Lambert

realization Mariaelena Morelli

1.1

featuring model VITTORIA CERETTI at ELITE PARIS
hair and makeup LAURE DANSOU at WALTER SCHUPFER MANAGEMENT

IN THE BEGINNING GOD CREATED RAVE AND IT WAS GOOD. THEN CAME THE INTERNET AND MUSIC SOMEHOW NEVER SOUNDED THE SAME. GONE WERE THE BEATS AND THE ECSTASY OF ABANDONED WAREHOUSES. YET RAVERS ARE STILL AMONGST US, SOMEWHERE IN THE COUNTRYSIDE SIPPING TEA AND GROWING CROPS, FAR AWAY FROM THE CAVES OF STEEL.

The black wool coat by CÉLINE defines a severe mood, denied by the candid white buttons, and is worn over a rolled-collar charcoal cashmere sweater by VALENTINO.

A knitted grey wool cape huddles along the blunt edges of a military green skirt, both by MARNI. Black cashmere ribbed socks by FALKE are a gentle touch against the hard line of the patent leather shoes by VIKTOR & ROLF.

The calfskin zipped vest molded in herringbone wool comes from the ACNE collection.

A long calfskin vest in burnt red by ACNE is complicated by wool tweed inserts and reinforced by zippers. Peeking from within is a bi-tone paneled sable skirt by BOTTEGA VENETA.

A long sheepskin coat takes to the air with a swarm of painted butterflies, by VALENTINO.

The wool bomber jacket trimmed with zippers by DRIES VAN NOTEN camouflages itself over a knitted bolero jacket and skirt, both by AZZEDINE ALAÏA.

This ponyskin double breasted jacket by ROCHAS makes a resplendent silk blouse with a “Galaxy” stitched sheepskin insert detailing by FENDI, all the more precisious.

A rigorous felt vest by HERMÈS channels the colors of fall. The contrast of ease comes in the form of a camouflage printed t-shirt by FAITH CONNEXION and grey boyfriend shorts from the VALENTINO collection. The knee-high leather boots by VIC MATIÉ ground the look.

A muscular black leather jacket by IRO cloaks a regal black velvet gown by AZZEDINE ALAÏA.

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