CHIAROSCURO – Grey Magazine

Talent Andrea Di Luigi
Photographer Mirko Sperlonga
Art Director Raven Narvaiz
Stylist Andrea Ciccarella
Grooming Chiara Varesi
Talent's Press office MPuntoComunicazione
Photo Editor Mila Forte

Editor-in-chief Valentina Ilardi

Thanks to Istituto Polacco di Roma

Talent Andrea Di Luigi
Photographer Mirko Sperlonga
Art Director Raven Narvaiz
Stylist Andrea Ciccarella
Grooming Chiara Varesi
Talent's Press office MPuntoComunicazione
Photo Editor Mila Forte

Editor-in-chief Valentina Ilardi

Thanks to Istituto Polacco di Roma

CHIAROSCURO

March 27, 2025

Andrea Ciccarella, Mirko Sperlonga

Covered in total white look, composed by a three-pieces suit and a baroque printed scarf by Junya Watanabe, draws inspiration from the nautical imagery, strenghten by a Borsalino beret and platform boots by Dr. Martens.

The dark embroidered coat and trousers by Yohji Yamamoto battle the light shirt by Dries Van Noten and Borsalino fedora in a decadent, mischievous dispute.

A white trench and brown leather trousers by Tod’s also fail to agree. A sheer shirt by Dries Van Noten can’t smooth the feud. The Nike terry socks and double-buckle derby shoes by Santoni are not helping either.

Into the storm, balance is found in a cloudy trench by VI Valentina Ilardi, layered over a white tank top paired with cargo pants, both by Dries Van Noten. The look is completed by a Borsalino fedora hat.

Shadows themselves are born of those lights illuminating the Emporio Armani total look, featuring a distressed jacket and trousers, paired with a sleeveless knit cardigan.

Right: The drama goes on in a dark handmade mesh polo and trousers by Dolce&Gabbana. The light frayed collar from Yohji Yamamoto’ shirts rises to the bait as do the Nike white socks, distressed by the most classic Santoni’s.

The face-off is settled with an ultra-layered look, composed by a shirt by Tod’s, one by Dolce&Gabbana, and a worker-jacket suit by Versace. The Borsalino cap and Santoni loafers seal the ensemble and the deal.

Andrea Ciccarella, Mirko Sperlonga

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