PORTRAY NEURALGIA

Talent Tommaso Donadoni
Photographer Riccardo Albanese
Executive Producer & PR Romina Piperno
Stylists Alessia Guizzardi and Christian Marchesich
Make-up artist Giovanni Iovine @ Green Apple Agency
Hair stylist Giuseppe Sestito
Production Assistant Petra Caravaggio
Stylist Assistant Fabio Riva
Photographer Assistant Giacomo Brunelli
Tommaso’s Agent Marta Avenia @ TNA Artist Management
Photo Editor Mila Forte

Editor-in-chief Valentina Ilardi

Alessia Guizzardi, Christian Marchesich, Riccardo Albanese, Tommaso Donadoni

A full look by PRADA, featuring a sleek half-undone shirt, tailored mohair trousers and mask-shades, lands our cover.

Speaking of your current projects, which one feels most connected to your personal journey, and what is this experience teaching you?
T: All the projects I’ve participated in, whether few or many, have left something within me.
The one that feels closest to the way I’d like to work in terms of approach or for the character and the project itself, I think is the Netflix series Adorazione . Stefano Mordini, the director, had us do an immense and very detailed job, so yes! I’d love to work like that again.

What aspect of your personality would you say comes out only in front of the camera or on stage?
T: I’m not sure, there are many aspects I suppose come out in those moments, for many different reasons. It depends on what the scene needs, and on who Tommaso is in that moment on stage, even before the character I’m playing. Maybe the way I lose control of the “colors”. Every emotion doesn’t have a fixed color, it’s not just yellow or red, it’s a mix of many things. Repression, for example, carries anger, melancholy, and so many other shades within it.

Spiraling around industrial ruins, Tommaso sports a pleated ensemble by ISSEY MIYAKE HOMME PLISSÈ, composed by a sleeveless vest, a V-neck top and slim pants, all matched to another top by CHB CHRISTIAN BOARO. The look is crowned by a sailor hat by BONFILIO.

Left: Wild-roses can grow anywhere, here they flourish on a tailored suit by VERSACE styled with jewels by PAOLA GRANDE and metallic frames by MCM EYEWEAR. Right: A silver necklace by PIANEGONDA, worn as a headpiece, is layered over a polka dot black veil by BONFILIO. A ribbed-net tank top by FERRAGAMO serves as a backdrop for the lace gloves by CHB CHRISTIAN BOARO.

Is there a place or city that fully represents your aesthetic sensitivity? Why?
T: Maybe Naples. I really like it as a city. I love the contrast between its beauty and opulence, mixed with a rougher backdrop. Not just metaphorically, but physically too: the noise all over, which, to me, actually frames the landscape beautifully… and simply represents the uniqueness of Naples.

What role does aesthetics play in your daily life, and how does it influence your personal and professional choices?
T: Aesthetics lives with me everyday. I like other people’s aesthetics, I love looking at other people’s eyes, lips, their details… their hair. I pay a lot of attention to aesthetics, even when I look at myself in the mirror.

Strolling on the edge can be dangerous, especially wearing the iconic L-POP jacket by DIESEL and a denim maxi skirt by DOMENICO OREFICE, matched to Speedboat OG sneakers by PUMA. The TOM FORD EYEWEAR and a chapeau-bateau hand painted hat by BONFILIO complicate the outfit.

Left: A hoodie by LAMAREL styled with matching track-pants is layered over a lace tank top by CHB CHRISTIAN BOARO and under a blazer by ROBERTO CAVALLI. The see-through masks by BONFILIO shades the look. Right: The trip goes on and it’s time to sparkle, thanks to a shiny studded ensemble by STELLA MCCARTNEY, composed of a jacket and skirt, styled with a white shirt by TOM FORD, layered over a lace tank-top by CHB CHRISTIAN BOARO. Cowboy-boots by SONORA ground the look, while a BONFILIO kepi-hat completes it.

Climbing up a tree requires a pause and the right clothes. A cosy-fit, composed by a cable vest by GANT and jogger pants by THEMWAVE are cinched by a trench coat by MSGM. The boots by SONORA help him up.

Imagine telling your story in a short fashion film: what would the opening scene be? And what soundtrack would go with it?
T: I’d say a frescoed ceiling, maybe representing a sky of bodies dancing, accompanied by animals. A church chant, or a stadium choir for musical background, something choral. Maybe with a single voice that builds up, alone but full and shrill. Kind of unsettling maybe… yeah! [laughs]

The cover look by PRADA makes a comeback, and takes our breath away.

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